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Tyrant

Shakespeare on Politics

Audiobook
1 of 1 copy available
1 of 1 copy available
World-renowned Shakespeare scholar Stephen Greenblatt explores the playwright's insight into bad (and often mad) rulers. As an aging, tenacious Elizabeth I clung to power, a talented playwright probed the social causes, the psychological roots, and the twisted consequences of tyranny. In exploring the psyche (and psychoses) of the likes of Richard III, Macbeth, Lear, Coriolanus, and the societies they rule over, Stephen Greenblatt illuminates the ways in which William Shakespeare delved into the lust for absolute power and the catastrophic consequences of its execution. Cherished institutions seem fragile, political classes are in disarray, economic misery fuels populist anger, people knowingly accept being lied to, partisan rancor dominates, spectacular indecency rules-these aspects of a society in crisis fascinated Shakespeare and shaped some of his most memorable plays. With uncanny insight, he shone a spotlight on the infantile psychology and unquenchable narcissistic appetites of demagogues-and the cynicism and opportunism of the various enablers and hangers-on who surround them-and imagined how they might be stopped. As Greenblatt shows, Shakespeare's work, in this as in so many other ways, remains vitally relevant today.
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    • Publisher's Weekly

      February 12, 2018
      Greenblatt (The Rise and Fall of Adam and Eve), a Harvard humanities professor, offers a canny parallel to contemporary political concerns in this survey of tyrannical figures in Shakespeare’s works. Using the protagonists of Coriolanus, King Lear, Macbeth, and the Wars of the Roses plays, among others, Greenblatt convincingly and bracingly explores the circumstances that allow for the rise of autocratic rulers. His quotations furnish vivid examples of how bullying and intimidation stifle opposition—Richard III declares “I’ll make a corpse of him that disobeys”—and of how public figures can get away with brazen lies—a rebel leader in Henry VI, Part 2 claims an aristocratic mother, though in truth “she was a midwife.” Nor does he ignore the role of sex as a motivator for tyrants and the role of women in defying autocrats, using as respective examples the self-loathing, misogynistic Richard III’s declaration that he was not “made to court an amorous looking glass” and Cordelia’s refusal to flatter her father at the start of Lear. Though Greenblatt names no names from current events, the reader can fill in the blanks with any number of contemporary politicians. The chapters on Richard III are perhaps the most visceral and immediate, but the entire book is full of insight, both for lovers of literature and for students of history and politics.

    • AudioFile Magazine
      Stephen Greenblatt is not only a Shakespeare scholar who teaches at Harvard but also a key figure among literary theorists who view fiction in its historical context. But when narrator Edoardo Ballerini opens this audiobook by asking, "How is it possible for a whole country to fall into the hands of a tyrant?", it's clear the subject is not Elizabethan England. Greenblatt's analysis of how figures such as Macbeth, Richard III, and King Lear rose to power is a not-so-thinly veiled reflection on the 45th president and his enablers. Ballerini is wonderful to listen to as he deftly handles excerpts from the plays with just the right shift in tone and no attempt to sound like a stage actor. He also subtly delivers the act, scene, and line numbers that follow each passage, though these are obtrusive and should have been left out by the editors. D.B. © AudioFile 2018, Portland, Maine

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